CONTEMPORARY ART

“Marcelo Brodsky’s Poetics of Resistance.” In: Joachim Melchers (ed.). Marcelo Brodsky. Poetics of Resistance (ed. English/ German/French). 2019. Mönchengladbach: B. Kühlen Verlag. 4–15. (For Portuguese translation see: Wrong Wrong, online magazine edited by TERCEIRO DIREITO)

“Southern Stars: An Exploration of Latin American Art. Introduction.” In: Art Paris Art Fair 2019 (ed. French/English). Art fair cat., Grand Palais, Paris, 2019. 48–59. (Text available here).

“Contemporary Video Art from Mexico, Colombia, Peru and Argentina (2000–2018)”. In: Art Paris Art Fair 2019 (ed. French/English). Art fair cat., Grand Palais, Paris, 2019. 60–63. (Text available here)

Entries on the site-specific installations by artists Marcelo Brodsky, Ricardo Rendón, Betsabeé Romero and Stinkfish. In: Art Paris Art Fair 2019 (ed. French/English). Art fair cat., Grand Palais, Paris, 2019. 66–71. (Text available here)

"Yuan Yuan: Alternative Realities". In: Yuan Yuan: Alternative Realities (ed. English / Chinese). Exh. cat., Edouard Malingue Gallery, Hong Kong / Shanghai. 2018. n.p.

With Ariane Varela Braga, “Cybèle Varela: An Introduction”. In: Valentina Locatelli and Ariane Varela Braga (eds.). Cybèle Varela: Tropicalismo Remixed (ed. English/German/Portuguese). Exh. cat., Brasilea Stiftung, Basel. 2018. Milano: Silvana Editoriale. 15–17.

"A Conversation with Cybèle Varela”. In: Valentina Locatelli and Ariane Varela Braga (eds.). Cybèle Varela: Tropicalismo Remixed (ed. English/German/Portuguese). Exh. cat., Brasilea Stiftung, Basel. 2018. Milano: Silvana Editoriale. 29–39.

“Wang Zhibo’s Narrative of the Detail”. Wang Zhibo: There is a Place with Four Suns in the Sky – Red, White, Blue and Yellow. Exh. cat. Edouard Malingue Gallery, Hong Kong. 2018. n.p. (157-65 of PDF)

“Farandoulo: Sheila Hicks’s Dance with Art and Architecture“. Sheila Hicks. Farandoulo (ed. French/Engl.). Exh. cat. Espace Muraille, Geneva. 2016. 10–18.

“Contemporary Mexican Women Artists Without Restraint.” In: Valentina Locatelli (ed.). Without Restraint: Werke mexikanischer Künstlerinnen aus der Daros Latinamerica Collection/Works by Mexican Women Artists from the Daros Latinamerica Collection (ed. German/Engl.). Exh. cat. Kunstmuseum Bern, Berne. 2016. Ostfildern: Hatje Cantz. 23-31. (Translated into German).

Entries on the artists: Ximena Cuevas, Claudia Fernández, Teresa Margolles, Betsabée Romero, Maruch Sántiz Gómez, Teresa Serrano and Melanie Smith; interviews with Betsabée Romero, Maruch Sántiz Gómez and Teresa Serrano. All in: Valentina Locatelli (ed.). Without Restraint: Werke mexikanischer Künstlerinnen aus der Daros Latinamerica Collection/Works by Mexican Women Artists from the Daros Latinamerica Collection (ed. German/Engl.). Exh. cat. Kunstmuseum Bern, Berne. 2016. Ostfildern: Hatje Cantz. Passim. (Translated into German).

19TH AND 20TH CENTURY ART

  • “Ferdinand Hodler, Self-Portrait (The Angry One)

  • “Ferdinand Hodler, Portrait of Valentine Godé-Darel (La Parisienne II)

All in: Atsushi Shinfuji (ed). Ferdinand Hodler. Towards Rhythmic Images. Exh. cat. The National Museum of Art, Tokyo, Hyogo Prefectural Museum of Art, Kobe. 2014–15. NHK Promotions Inc.: Tokyo. 56 and 184. (Published in Japanese translation).

“Figurenbilder: Symbolismus in der Schweizer Kunst/Oeuvres avec figures: Le symbolisme dans l’art Suisse.” In: Matthias Frehner and Valentina Locatelli (eds). Sesam, öffne dich! Anker, Hodler, Segantini... Stiftung für Kunst, Kultur und Geschichte/Sésame, ouvre-toi ! Anker, Hodler, Segantini... Fondation pour l’art, la culture et l‘histoire (ed. German/French). Exh. cat. Kunstmuseum Bern, Berne and Fondation Gianadda, Martigny. 2014. Quart (AO): Musumeci. 167–192.

-Chronologie des Surrealismus”/“Chronology of Surrealism.” In: Philippe Büttner (ed.). Surrealismus in Paris/Surrealism in Paris. Exh. cat. Fondation Beyeler, Riehen/Basel. 2011. Ostfildern: Hatje Cantz. 271–77.