ORGANIZED AND CHAIRED EVENTS (SELECTION)

Maison de l’Amérique Latine, Paris, France, 05.04.2019: “Latin American Women Artists in France and On the International Art Scene” (two panel discussions in the framework of Art Paris Art Fair, co-chaired with Hans-Michael Herzog, Independent Curator, Zurich).

106th Annual Conference of the College Art Association, Los Angeles: “Provenance Research as a Method of Connoisseurship?” (panel session).

Kunstmuseum Bern, Berne, Switzerland, 01.06.2017: “Die Biografien der Kunstwerke. Perspektiven der Provenienzgeschichte in der Forschung an Universität und Museum” (co-organized with Etienne Wismer, Universität Bern, and Rainer Lawicki, Kunstmuseum Bern).

Kunstmuseum Bern, Berne, Switzerland, 21.06.2016: Conversation with artist Teresa Serrano and with Hans-Michael Herzog, former Artistic Director of the Daros Latinamerica Collection, in the framework of the exhibition “Without Restraint”.

Kunstmuseum Bern, Berne, Switzerland, 04.06.2016: Conversation with artist Betsabeé Romero and with Daniel Garza Usabiaga, Artistic Director of Zona Maco, Mexico City, in the framework of the exhibition “Without Restraint”.

PRESENTATIONS (SELECTION)

18.02.2017, 105th Annual Conference of the College Art Association, New York: “‘Nobody is a prophet in his own land’: The Exhibition ‘Without Restraint’ as a Case Study”, presentation during the panel “Mexico City Today!”.

25.11.2016, Accademia Carrara, Bergamo, Italy: “Giovanni Morelli e le attribuzioni dei dipinti italiani nelle gallerie tedesche: il caso di Dresda”, presentation in the context of the cycle of conferences in honour of Giovanni Morelli.

24.08.2013, Second Swiss Congress of Art History, Université de Lausanne, Lausanne, Switzerland: “La Maddalena leggente di Correggio. Storia di un’appropriazione”, presentation during the panel “Appropriationen”.

20.03.2013, 32nd Congress of German Art Historians, Greifswald, Germany, 2013: “Georges Hulin de Loo und die Kunstkennerschaft altniederländischer Malerei”, presentation during the panel „Niderlande-Forschung, Kennerschaft“.

15–20.07.2012, 33rd Congress of the International Committee of the History of Art, Nuremberg, Germany: “Der Kunstkenner und das Kunstobjekt: Inventarisieren, Ordnen, Schützen und Ausstellen. Das Beispiel Giovanni Morellis”, poster session.

24.04.2012, Accademia di San Luca, Rome, Italy, 2012: “L’arte di vedere l’arte: esempi pratici e riflessioni sull’evoluzione metodologica e gli strumenti della connoisseurship,”, presentation in the context of the conference “Storia dell’arte fra scienza e dilettantismo. Metodi e percorsi”, organized by the Rome Art History Network (RAHN).

11.2011, IULM University, Milan, Italy: “Giovanni Morelli: tra patrimonio nazionale, collezionismo privato e musei”, lecture during the course in Museum Studies 

03–05.12.2007, Villa Vigoni, German-Italian Center of European Excellence, Como, Italy: “Die Jugendentwicklung Raffaels’. Ivan Lermolieff liest Anton Springer: Ein Beispiel der Auseinandersetzung Morellis mit dem deutschen Gelehrtentum”, presentation at the international conference on Raphael’s reception in the 19th century (“Künstler-Träume: Raffael im 19. Jahrhundert”).